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Studies in
Musical Sources and Style: Essays in Honor of Jan Larue
Eugene K. Wolf and Edward H. Roesner, editors
| TR 1 |
ISBN 0-89579-253-2 |
(1990) 555 pp. |
Out of Print |
| 7 x 10. Illustrations. Hardcover. |
"Only a few great teachers, with their
energy, curiosity, and sympathy, can sincerely share
in our enthusiasm and inspire us to further efforts.
LaRue is such a teacher. Studies in Musical
Sources and Style is a tribute worthy of LaRue. . . ."
John A. Rice, Notes, September 1992
University of Houston
Style analysis and historical musicology provide a
central theme unifying these 17 major studies. These
essays share an in-depth, expansive approach to their
subjects. The result is a series of pathbreaking studies,
including style analysis, the scientific study of primary
sources, the music of the Classical period, and more.
- Contents
| Allan W. Atlas |
Aggio visto lo
mappamondo: A New Reconstruction |
| Lawrence F. Bernstein |
Melodic Structure in the
Parisian Chanson: A Preliminary Study in
the Transmission of a Musical Style |
| A. Peter Brown |
Stylistic Maturity and
Regional Influence: Joseph Martin Kraus's
Symphonies in C-sharp Minor (Stockholm,
1782) and C Minor (Vienna, 1783?) |
| Bathia Churgin |
Beethoven's Sketches for
His String Quintet, Op. 29 |
| Martin Chusid |
The Inquisitor's Scene
in Verdi's Don Carlos: Thoughts on
the Drama, Libretto, and Music |
| Ursula Günther |
Polymetric Rondeaux from
Machaut to Dufay: Some Style-Analytical
Observations |
| James Haar |
Popularity in the
Sixteenth-Century Madrigal: A Study of
Two Instances |
| Theodore Karp |
Interrelationships among
Gregorian Chants: An Alternative View |
| H. C. Robbins Landon |
Mozart's Mass in C
Minor, K. 427 |
| Edward H. Roesner |
The Emergence of Musica
mensurabilis |
| Ellen Rosand |
Monteverdi's Mimetic Art:
L'Incoronazione di Poppea |
| Judith L. Schwartz |
Periodicity and Passion
in the First Movement of Haydn's "Farewell"
Symphony |
| Tilman Seebass |
Classical and Romantic
Principles in Schubert's Lieder: Auf
dem See and Des Fischers Liebesglück |
| László Somfai |
The Influence of Peasant
Music on the Finale of Bartók's Piano
Sonata: An Assignment for Musicological
Analysis |
| Alan Tyson |
Mozart's D-Major Horn
Concerto: Questions of Date and of
Authenticity |
| James Webster |
The D-Major Interlude in
the First Movement of Haydn's "Farewell"
Symphony |
| Jean K. and Eugene K.
Wolf |
Rastrology and Its Use
in Eighteenth-Century Manuscript Studies |
Recipient of the 1992 Richard S. Hill Award of the
Music Library Association.
Rev. 7/24/02
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