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Cimarosa: L'infedeltà fedele, Part 2

Domenico Cimarosa
L'infedeltà fedele, Part 2
Act 2, Act 3, and Critical Report
Edited by Ethan Haimo
C086
Cimarosa: L'infedeltà fedele, Part 2
Full Score (2012)
978-0-89579-722-3
9x12, vi + [387-]791 pp.

Availability: In stock

$300.00
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Performance Parts

Availability: In stock

C085-86R
(2016)
Set of 16 partbooks: 2201 2000 33221 errata (strings have two partbooks each, for act 1 and acts 2–3; flute parts may be played by the oboes)
Domenico Cimarosa (1749–1801) wrote his fourteenth opera, L’infedeltà fedele,  for the 1779 inauguration of the Real Teatro del Fondo di Separazione, a theater that was built to provide a venue for the Neapolitan nobility to attend performances of opera buffa. Cimarosa worked together with Giambattista Lorenzi (1721–1807), and they strove to combine seria and buffa elements within the work. Cimarosa's music was also designed to showcase the considerable talents of the vocal staff of the new theater. Particularly impressive are the complicated ensemble finales for acts 1 and 2, which include innovative large-scale harmonic designs. In addition to its premiere in Naples, performances are documented in Rome and Dresden. Joseph Haydn owned a copy of the score and adapted its libretto and borrowed the harmonic design of the finales for his own opera, La fedeltà premiata (1781). The present edition draws upon the composer's autograph as well as the manuscript copes in Budapest, Dresden, and Rome.
Atto secondo
  No. 12. Aria (Vuzzacchio): “Figlia mia”
  No. 13. Cavatina (Amaranta): “Hors d’ici”
  No. 14. Aria (Melibeo): “Sappi, che la bellezza”
  No. 15. Aria (Fileno): “Se da’ begli occhi tuoi”
  No. 16. Aria (Nerina): “Volgi pure ad altr’oggetto”
  No. 17. Aria (Viola): “Tu sì ancora peccioncella”
  No. 18. Per la Caccia
  No. 19. Coro: “Più la belva nel bosco non freme”
  No. 20. Aria e Coro (Perrucchetto): “Di questo audace ferro”
  No. 21. Recitativo accompagnato ed Aria (Celia): “Si legga . . . Ah come il core”
  No. 22. Aria (Perrucchetto): “Nel mio core un mongibello”
  No. 23. Recitativo accompagnato ed Aria (Amaranta): “Barbaro conte . . . è questa”
  No. 24. Finale: “Quel silenzio, e quelli pianti”
 
Atto terzo
  No. 25. Duetto (Celia, Fileno): “Ah se tu vuoi, ch’io viva”
  No. 26. Trio (Melibeo, Viola, Vuzzacchio):“Già stringo il fulmine”
  No. 27. Duetto (Amaranta, Perrucchetto): “Vanne, mio bene, addio
  No. 28. Recitativo accompagnato (Melibeo): “Misero me!”
  No. 29. Coro: “Ah si cangi in un momento”
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