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Marc-Antoine Charpentier
Nine Settings of the Litanies de la Vierge
Edited by David C. Rayl
| B 72 |
ISBN 0-89579-302-4 |
(1994) xx+242 pp. |
$82.00 |
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ISBN 978-0-89579-302-7
(13-digit) |
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| B 72P |
Parts |
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$53.00 |
Although Charpentier is regarded as one of the foremost composers of late
seventeenth-century France, little of his enormously varied output of liturgical
music is known. This volume contains his nine settings of the Litanies
de la Vierge, also known as the Litany of Loreto, which are scored
for a variety of vocal and instrumental forces ranging from two settings
for three voices and continuo to a large-scale, multipartite setting for
soloists, chorus, recorders, violins, and continuo. The edition is based
on the autograph scores of these works, scattered throughout the 26 volumes
of the Mélanges autographes, held by the Bibliothèque
Nationale, Paris (Rès. Vm1 159).
Music Sample
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Contents
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Litanies de la Vierge à 3 voix pareilles (H. 82); Litanies
de la Vierge à 6 voix et deux dessus de violles (H. 83);
Litanies de la Vierge à 3 voix pareilles avec instruments
(H. 84); Litanies de la Vierge (H. 85); Litanies de la Vierge à
2 dessus et une basse chantante (H. 86); Litanies de la Vierge à
4 voix (H. 87); Litanies de la Vierge à 4 voix (H. 88);
Litanies de la Vierge (H. 89); Courtes Litanies de la Vierge à
4 voix (H. 90)
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Parts
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vn. 1; vn. 2; treble 1; treble 2; b.c.
For other music by Charpentier, see B 48
and B 63. See the
article on Charpentier in Embellishments
2.
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