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Fourteen Motets from the Court
of Ferdinand II of Hapsburg
Edited by Steven Saunders
| B 75 |
ISBN 0-89579-315-6 |
(1995) xxxii+94 pp. |
$41.00 |
| Music Sample |
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| B 75P |
Parts |
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$13.00 |
The Vienna court of Holy Roman emperor Ferdinand II (r.
1619-37) was the center of a rich music culture, the hub for the transmission
of Italianate music north of the Alps, and the home to one of the largest,
most extraordinary musical organizations in seventeenth-century Europe.
The works in this volume--by Giovanni Giacomo Arrigoni, Giovanni Priuli,
and Giovanni Valentini--provide an introduction to this largely overlooked
music culture. The Hapsburgs had long looked to Italy for their chapel
masters, composers, and virtuosi. Not surprisingly, then, works from the
imperial court were among the earliest sacred compositions north of the
Alps to incorporate modern Italianate innovations, including obbligato
instrumental parts, monody, the concertato style, and techniques of sacred
dialogue.
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Contents
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Giovanni Giacomo Arrigoni
Benedicta sit
Giovanni Priuli
Inter natos mulierum; Salve Regina; Peccavi super numerum
Giovanni Valentini
O Maria, quid ploras; Vulnerasti cor meum; Confitebor tibi, Domine;
Domine, deduc me; Anima Christi; Salve Regina sopra Queste selve vicine;
Regina caeli; Salve tremendum; Deus, qui pro redemptione mundi; O vos omnes
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Parts
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Violin 1; violin 2; basso continuo
Music Publishers' Association Paul Revere Award, 1996. |