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Recent Researches in the Music of the Classical Era
Jean-François TaprayFour Symphonies Concertantes for Harpsichord and Piano with Orchestra ad libitum
Edited by Bruce Gustafson
| C 44 | ISBN 0-89579-320-2 | (1995) xvii+186 pp. | $68.00 |
| ISBN 978-0-89579-320-1 (13-digit) | |||
| C 44SUPP | Supplement | (1995) v+61 pp. | $25.00 |
| C 44P1 | Op. 8 parts: hn. 1, 2; harps.; pf.; vn. 1; vn. 2; va.; bass | $24.00 | |
| C 44P2 | Op. 9 parts: hn. 1, 2; harps.; pf.; vn. solo; vn. 1; vn. 2; va.; bass | $33.00 | |
| C 44P3 | Op. 13 parts: hn. 1, 2; harps.; pf.; vn. 1; vn. 2; bass | $22.00 | |
| C 44P4 | Op. 15 parts: harps.; pf.; vn. 1; vn. 2; bass | $9.00 | |
These four concertos, published as Tapray's opuses 8, 9, 13, and 15, between 1778 and 1783 are for the unusual combination of paino and harsichord with an orchestra of mainly strings (op. 8 adds a pair of horns, and op. 13 adds a solo vioin). Hitherto thought lost, the discovery of the harpsichord part for op. 13 was the stimulus for this edition. Op. 15 is notable as the last French work to require a harpsichord, marking that instrument's demise in the face of the emerging fortepiano.
Contents
Symphonie Concertante in D Major, Op. 8; Symphonie Concertante in E-flat
Major, Op. 9; Symphonie Concertante in C Major, Op. 13; Symphonie Concertante
in G Major, Op. 15
Supplement: Opp. 8 and 9 Arranged for Unaccompanied Harpsichord
and Piano