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Recent Researches in the Music of the Classical Era

Arias for Francesco Benucci: Mozart's First Figaro and Guglielmo
Edited by Dorothea Link
C 72 ISBN 0-89579-559-0  (2004) xxvi + 122 pp. 
$70.00
  ISBN 978-0-89579-559-5 (13-digit)

These twelve arias illustrate the voice of Francesco Benucci (ca. 1745-1824), the great comic singer for whom Mozart wrote the roles of Figaro and Guglielmo. Dating from the 1780s when Benucci was in his prime, they represent some of the best efforts by Cimarosa, Martín y Soler, Paisiello, Salieri, Sarti, and Storace to showcase his singing. That Benucci was a first-rate basso buffo is attested to in nine of the twelve arias. The remaining three show that, when required, Benucci could also give memorable performances in a more serious style.

The arias are presented in the form of vocal scores that are based on eighteenth-century arrangements.

Music Sample

Contents
Arias for Francesco Benucci
  1. Lei comandi, signorina, Domenico Cimarosa
  2. La sposerò, signore, Giuseppe Sarti
  3. Quando saprai chi sono, Giuseppe Sarti
  4. Che ne dici tu, Taddeo? Giovanni Paisiello
  5. Per onor farso ammazzare, Giovanni Paisiello
  6. O che tempo depravato (alla Figaro Mongolfier Malbrug), Stephen Storace
  7. Spirti invisibili, Antonio Salieri
  8. Questo magico abituro, Antonio Salieri
  9. Quattro via quattro sedici, Giovanni Paisiello
10. Ah mal aya, a quella mano, Vinvente Martín y Soler
11. Tu fa che intanto uniscasi, Antonio Salieri
12. L'Anno mille settecento, Antonio Salieri


Of Related Interest: C 66