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Johannes Martini: Masses
Edited by Murray Steib and Elaine Moohan
| Part 1: Masses without Known Polyphonic Models |
| M 34 |
ISBN 0-89579-433-0 |
(1999) xxiii+257 pp. |
$99.00 |
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ISBN 978-0-89579-433-8
(13-digit) |
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| Part 2: Masses with Known Polyphonic Models |
| M 35 |
ISBN 0-89579-434-9 |
(1999) vi+306 pp. |
$104.00 |
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ISBN 978-0-89579-434-5
(13-digit) |
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Johannes Martini was an important composer active
between the generations of Ockeghem and Josquin, principally during the
1470s and 1480s. Although polyphonic borrowing had been known for some
time, Martini was among the first to use this technique extensively. His
frequent use of imitation, along with his use of polyphonic quotations,
strongly influenced the succeeding generation of composers. With the publication
of this edition, it will now be possible for scholars to assess fully his
music and its importance in the development of the imitation Mass of the
sixteenth century. The edition will include the 11 known masses by Martini,
two others recently attributed to him, and the models for the Masses based
on chansons.
Music Sample |