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Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries

Jan Ladislav Dussek
Selected Piano Works
Edited by H. Allen Craw
 
N 1 ISBN 0-89579-122-6 (1979) xxiii+107 pp. $47.00
  978-0-89579-122-1 (13-digit)    
N 2 ISBN 0-89579-123-4 (1979) 125 pp. $47.00
  ISBN 978-0-89579-123-8 (13-digit)    

Highly acclaimed as one of the early concert pianists, Dussek's brilliant piano music has been unjustifiably neglected for many years--an oversight corrected in part with this publication. The C major sonata, in particular, displays masterful handling of musical materials, ranges widely harmonically, and makes effective use of piano sonorities. The Fantasie and Fugue prefigures Liszt, to some extent, in its figuration and harmonic motion. Op. 71 is a set of variations on six themes, mainly drawn from opera. Displaying a remarkable freedom of ideas and musical treatment, the Fantasie in F Major is one of Dussek's more interesting and effective works.

Music Sample

Contents: 
Part I (N 1): Sonatas for Piano Four-hands

Sonata in C Major, Op. 32 (C. 144)
Sonata in F Major, Op. 73 (C. 243)

Part II (N 2): Solo Piano Works

Fantaisie and Fugue in F Minor, Op. 55 (C. 199)

Variations, Op. 71 (C. 235-37 and 244-46)

No. 1 in B-flat Major on "Air de Troubadour" (C. 235)
No. 2 in F Major on "Air del Signor Dottor" (C. 236)
No. 3 in C Major, "Amusez-vous, Belles" arranged as a Rondo with Variations and Imitations (C. 237)
No. 4 in G Major, "Toto Carabo" or "Il étoit un petit homme" from the opera Cendrillon by Nicolas Isouard arranged as a Rondo with Imitations (C. 244)
No. 5 in C Minor on "Vive Henri-quatre" (C. 245)
No. 6 in B-flat Major on a March from the opera Tamerlan by Peter von Winter (C. 246)
Fantaisie in F Major, Op. 76 (C. 248)