Recent Researches in the Music of the Renaissance

This edition offers material for a study of the relationship between poetry and music: all 61 extant musical settings (published between 1583 and 1678) of Guarini's poem "ardo sì, ma non t'amo" and all 34 known settings of poems directly related to "Ardo sì," the most important of which is Lasso's risposta "Ardi e gela à tua voglia." 31 of the "Ardo sì" settings are located in the anthology Sdegnosi ardori (RISM 1585[17]), which is edited here in its entirety. For the 12 compositions that survive in incomplete sets of partbooks, missing voices have been editorially supplied. Several of the composers represented in this edition appear for the first time in a modern publication.

Music Sample (R78-79)

Music Sample (R80-81)

Contents 

Part I (R 78-79)

Settings by Orazio Vecchi, Filippo Nicoletti, Orazio Angelini, Philippe de Monte, Costanzo Porta, Marc' Antonio Ingegneri, Michele Varotto, Francesco Rovigo, Lelio Bertani, Jacob Regnart, Giovanni Cavaccio, Giorgio Flori, Gasparo Costa, Paolo Masnelli, Bernardino Mosto, Pietro Ragno, Victor Rai, Giulio Riccio, Leonhard Lechner, Franz Sales, Flavio Ricci, Orlando di Lasso, Johannes de Fossa, Antonio Morari, Gioseffo Ascanio, Phileno Cornazzani, Alberto Mossato, Ferdinand de Lassus, Rudolph de Lassus, Ferdinando Pagani, Giulio Gigli da Imola

Part II (R 80-81)
Settings by Antonio Dueto, Ascanio Trombetti, Ruggiero Giovannelli, Giulio Eremita, Claudio Monteverdi, Rocco Rodio, Alfonso Preti, Francesco Farina, Giovanni Battista Mosto, Tomaso Graziani, Ippolito Sabino, Oratio Crisci, Francesco Lauro, Scipione Dentice, Serafino Cantone, Hans Leo Hassler, Giovanni Battista Galeno, Giulio Cesare Gabussi, Alessandro Savioli, Paul Sartorius, Antonio Il Verso, Adriano Banchieri, Johann Grabbe, Piero Benedetti, Antonio Taroni, Marcello Albano, Giacomo Fornaci, Carlo Milanuzzi, Alessandro Grandi, Domenico Crivellati, Giovanni Maria Bononcini