Collegium Musicum: Yale University

The final melisma on the word "caput" in the antiphon "Venit ad Petrum" for the ceremony of the washing of the feet on Maundy Thursday in the Sarum rite is the source of the cantus firmus for masses by Dufay, Ockeghem, and Obrecht. Guillaume Dufay's Missa Caput, probably composed between 1440 and 1450, is unified by motto beginnings, a structural similarity between the movements, and cyclic return of the cantus firmus. Johannes Ockeghem's mass, composed between 1460 and 1465, is closely modeled on Dufay. The mass by Jacob Obrecht was probably written between 1483 and 1485, when he was magister puerorum at Cambrai. Instead of the large-scale formal organization found in the Dufay mass, Obrecht's mass establishes a progression from movement to movement governed only by the successive shifts of the cantus firmus.

"In sum, this book is a splendid example of careful editing, is true to the spirit of the music, and will surely be a valuable aid to understanding and enjoying the art of its fascinating epoch." Edward R. Lerner, Musical Quarterly, July 1965.

Music Sample

Contents:

Venit ad Petrum (antiphon)

Missa Caput (Guillaume Dufay)

Missa Caput (Johannes Ockeghem)

Missa Caput (Jacob Obrecht)