critical editing

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  1. October 05, 2022

    Lost Voices: Accounting for Orality in Editions of Seventeenth-Century Music

    By Cory M. Gavito

    The three guitar song anthologies collected by Giovanni Stefani (fl. 1618–26) open us to a world in which musical performance and music editing collide in ways that reveal much about the circulation of music in the early seventeenth century. As materials that served performers, Stefani’s anthologies carry the imprint of oral transmission; they not only document the textual circulation of the popular songs they contain but also record the performing practices and traditions of the numerous musicians who consulted them. In editing these anthologies, I was tasked with the challenge of offering a transparent and authoritative report of concordances while still acknowledging the openness, variability, orality, and anonymity that characterizes the transmission of these songs to (and from) Stefani’s books.

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  2. October 27, 2021

    Critical Editions and Race at AMS 2021

    By A-R Editions

    The upcoming online meeting of the American Musicological Society will include a professional development roundtable session: “Can the White Page be Overwritten?: Race and Representation in Critical Editions.” The session will take place on 21 November from 11:00 AM to 12:50 PM and will feature an impressive lineup of speakers. Turn on, log in, and drop by for what is sure to be a thought-provoking experience!

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