
-
September 07, 2023
By A-R's house editors
In editing vocal music, one of the most important concerns is, of course, the words being sung. This series of posts aims to clarify A-R’s recommended best practices on word division within music, including rules specific to various languages commonly encountered in the Western art music tradition. This post begins the series with a brief introduction, followed by rules for Latin and Italian.
Categories
- News (19)
- Editing Challenges (3)
- Historical Insights (1)
- Featured Publications (37)
- Insider Information (7)
- Protips on Editing (17)
- Editor's Workbench (12)
- In Performance (1)
Recent Posts
Tags
editorial methods
critical notes
authors
proposals
critical music editing
recent researches style guide
opera
17th century
19th century
staff editors
volume editors
critical edition
publishing
eighteenth century
house style
accidentals
critical editions
double barlines
madrigals
editors and authors
formatting
series editor
edition making
sixteenth century
musicology
american musicological society (ams)
recent researches in music
word division
syllabification
elision
diphthongs
triphthongs
consonants
vowels
texture
recitative
actor-singers
dramatick opera
theater music
18th century
oratorio
orchestration
typesetting
concerto
award
redundancies
early music
psalms
incidental music
copyediting