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Valid through March 31, 2024.
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By A-R Editions
The coronation service for King Charles III and Queen Camilla on 6 May 2023 was filled with music. We at A-R Editions are proud to report that this magnificently varied program included one piece from our own catalog: the opening chorus of “The King Shall Rejoice,” composed by William Boyce (1711–79) and edited by John R. Van Nice in our volume Two Anthems for the Georgian Court, Part 2 (B008, 1970).
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May 01, 2019
By Jonathan Wainwright
Many years ago, as an undergraduate, I remember finding a couple of articles suggesting that Walter Porter was a pupil of the great Monteverdi, and thinking, “an English composer called Walter who studied with Monteverdi: a bit unlikely?!” As I continued my studies at the Ph.D. level and discovered more about the dissemination and influence of Italian music in England in the first half of the seventeenth century, I learned that Walter Porter didn’t need to go anywhere near Italy in order to study and get to know the most up-to-date Italian styles, and that all Monteverdi’s publications were easily available in London, but, I’m sad to say, my skepticism still shone through. Twenty years later, when editing Walter Porter’s collected works for A-R Editions, I had the opportunity to really get to know Porter’s music, and I’m now slightly embarrassed about my previous skepticism. I can now quite believe that Porter was a pupil of the great Monteverdi!