By A-R Editions

On April 10, the last day of the 30th annual meeting of the Society for Seventeenth-Century Music (SSCM), the panel session “Cut-C, Coloration, and Critical Notes: How We Edit the Music of the Long Seventeenth Century” brought together five panelists, all with extensive and varied experience in critical edition making, to share and discuss various aspects, challenges, and approaches in editing the music of the seventeenth century.

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