Sadie: Completions of Mozart Aria Fragments

Series: Classical Era  Publisher: A-R Editions
This volume is part of the set Sadie: Completions of Mozart Aria Fragments
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Stanley Sadie
Completions of Mozart Aria Fragments

Edited by Dorothea Link

C088 Sadie: Completions of Mozart Aria Fragments
978-0-89579-760-5 Full Score (2012) 9x12, xix + 195 pp.
$160.00
SKU
C088

Performance Parts (Available Separately)

C088R1
Rental Parts (2015)
Set of 16 parts: 0200 2000 33221 errata

C088R2
Rental Parts (2015)
Set of 15 parts: 0200 2000 33221

C088R3
Rental Parts (2015)
Set of 17 parts: 2200 2000 33221

C088R4
Rental Parts (2015)
Set of 16 parts: 0200 2000 33221 errata

C088R5
Rental Parts (2015)
Set of 17 parts: 0202 2000 33221

C088R6
Rental Parts (2015)
Set of 34 parts: 1112 2200 timp 66443 errata

C088R7
Rental Parts (2015)
Set of 15 parts: 2000 2000 33221

C088R8
Rental Parts (2015)
Set of 32 parts: 2022 2000 66443 errata

C088R9
Rental Parts (2015)
Set of 18 parts: 0022 2000 33221 errata
Stanley Sadie’s fascination with Mozart’s unfinished compositions preoccupied him all his life. During his last decade, Sadie turned his attention to a number of arias that Mozart left unfinished or that survive incomplete, and by the end of 1998, he had completed nine arias in orchestral score, as presented in this volume. Seven are for soprano and two are for tenor. Included are three discarded arias from Mitridate; three arias about whose origins little is known, K. 119/382h, K. 440/383h, and K. 435/416b; a rejected insertion aria for an Anfossi opera, K. 178/417a; the abandoned act-4 rondò for Susanna in Le nozze di Figaro; and an unfinished insertion aria for a Paisiello opera, K. 580. Eight of these arias have been performed in public venues, some more than once, between 1999 and 2009, and it is hoped that this edition will provide the basis for more performances of these attractive works in the future.
1. Se di lauri il crine adorno
Aria for tenor (second draft), no. 8 in Mitridate, re di Ponto, K. 87/74a
 
2. Lungi da te, mio bene
Aria for soprano (first draft), no. 13 in Mitridate, re di Ponto, K. 87/74a
 
3. Nel grave tormento
Aria for soprano (first draft), no. 14 in Mitridate, re di Ponto, K. 87/74a
 
4. Der Liebe himmlisches Gefühl
Aria for soprano, K. 119/382h
 
5. In te spero, o sposo amato
Aria for soprano, K. 440/383h
 
6. Müßt ich auch durch tausend Drachen
Aria for tenor, K. 435/416b
 
7. Ah! spiegarti, oh Dio, vorrei
Rejected insertion aria for soprano, K. 178/417e, written for Pasquale Anfossi’s Il curioso indiscreto
 
8. Giunse il momento alfine—Non tardar, amato bene
Rejected act-4 scena for soprano, written for Le nozze di Figaro, K. 492
 
9. Schon lacht der holde Frühling
Insertion aria for soprano, K. 580, written for Giovanni Paisiello’s Der Barbier von Seviglia (Il barbiere di Siviglia)