Haym: Complete Sonatas, Part 1

Series: Baroque Era  Publisher: A-R Editions
This volume is part of the set Haym: Complete Sonatas
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Nicola Francesco Haym
Complete Sonatas, Part 1
Dodeci sonate a tre, Op. 1; Sonatas 1–4 Sonate da camera

Edited by Lowell E. Lindgren

B116 Haym: Complete Sonatas, Part 1
978-0-89579-503-8 Full Score (2002) 9x12, xxvi + 87 pp.
In stock

Performance Parts (Available Separately)

Instrumental Part(s) (2002)
Set of 3 parts (treble 1, treble 2, b.c.)
Nicola Francesco Haym (Rome 1678–London 1729) was a cellist and disciple of Corelli who emigrated to London in 1701. His patrons included the dukes of Bedford and Chandos. Later, he established himself as an adaptor of opera librettos (for Handel and others) and produced volumes of historical and literary scholarship. Haym composed the op. 1 trio sonatas in Rome in 1698–99 and they were published in Amsterdam in 1703, with a dedication to the duke of Bedford. The four solo sonatas (for transverse flute, oboe, or violin) were likely composed for Bedford’s private concerts and published in 1710. The solo sonatas and the first six trio sonatas of op. 1 are sonate da chiesa, which demonstrate Haym’s mastery of imitative counterpoint and his favor toward the minor keys of D, A, and especially C. The other six trio sonatas are sonate da camera, in which the fast movements are a pair of dance airs, either corrente and gavotta or allemanda and giga.
Dodeci sonate a tre, Op. 1, for Two Violins and a Violoncello, Lute, or Cembalo
Sonata No. 1 in D Minor
Sonata No. 2 in F Major
Sonata No. 3 in A Minor
Sonata No. 4 in C Minor
Sonata No. 5 in G Major
Sonata No. 6 in C Major
Sonata No. 7 in B-flat Major
Sonata No. 8 in D Major
Sonata No. 9 in G Minor
Sonata No. 10 in E Minor
Sonata No. 11 in A Major
Sonata No. 12 in G Major
From VI Sonate da camera, for Transverse Flute, Oboe, or Violin Solo and Basso continuo
Sonata No. 1 in C Minor
Sonata No. 2 in D Minor
Sonata No. 3 in C Minor
Sonata No. 4 in A Minor
Peter Holman, Early Music, May 2003