UnderScore is a musicology blog about the making of critical editions and about what those editions can reveal. It aims to explore and explain things of practical interest to musicians, music historians, students, current and future A-R volume editors, and anyone interested in the confluence of scholarship, music, and bookmaking. “Editor’s Workbench” posts are written by A-R’s editorial staff and discuss editorial procedures and decision-making. “Featured Publication” posts, written by A-R volume editors, give a glimpse into recently published volumes.
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