Martini: Masses, Part 2

Series: Middle Ages and Early Renaissance  Publisher: A-R Editions
This volume is part of the set Martini: Masses
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Johannes Martini
Masses, Part 2
Masses with Known Polyphonic Models

Edited by Murray Steib, Elaine Moohan

M035 Martini: Masses, Part 2
978-0-89579-434-5 Full Score (1999) 8.5x11, vi + 306 pp.
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Johannes Martini was an important composer active between the generations of Ockeghem and Josquin, principally during the 1470s and 1480s. Although polyphonic borrowing had been known for some time, Martini was among the first to use this technique extensively. His frequent use of imitation, along with his use of polyphonic quotations, strongly influenced the succeeding generation of composers. With the publication of this edition, it will now be possible for scholars to assess fully his music and its importance in the development of the imitation mass of the sixteenth century. The edition includes the eleven known masses by Martini, two others recently attributed to him, and the models for the masses based on chansons.
Missa Cela sans plus
Missa Coda di pavon
Missa In feuers hitz
Missa La Martinella
Missa Ma bouche rit
Missa Or sus, or sus
Missa Nos amis
Appendix: Polyphonic Models
Cela sans plus, Colinet de Lanoy/Johannes Martini
Der Pfobenschwancz, Barbingant
In feuers hitz, Anonymous
La Martinella, Johannes Martini
Ma bouche rit, Johannes Okeghem
Or sus, or sus, Anonymous
Nos amys, Adrien Basin
Fabrice Fitch, Early Music, August 2000; Andrew Kirkman, Notes, 2004