Notari: Collected Works, Part 2
Series: Baroque Era Publisher: A-R Editions
This volume is part of the set Notari: Collected Works
Collected Works, Part 2
Notari's Manuscript Scorebook, Nos. 1–60
Edited by Jonathan P. Wainwright
B231 Notari: Collected Works, Part 2
978-1-9872-0807-8
Full Score (2022)
9x12, xlviii + 218 pp.
$250.00
In stock
SKU
B231
Performance Parts (Available Separately)
B230-32P
Instrumental Part(s) (2022)
Set of 6 partbooks (vn./vn. 1, vn. 2, va. 1, va. 2, b. viol, b.)
$40.00
These volumes bring together, for the first time in a critical edition, the complete music of Angelo Notari (1566/1573–1663), an Italian musician who worked in England from 1611. An important aspect of this edition is the inclusion of a large corpus of works newly attributed to Notari. This music appears in two surviving manuscripts (a score book and a fragmentary set of parts) copied by Notari and a set of manuscript parts copied by a London associate, Stephen Bing. The sources are examined in detail, and the reasoning for the attributions is made clear. The edition also includes a number of arrangements of music by other composers that appear in the Notari manuscripts; these range from ornamented versions and variant readings to reworkings that together represent the full gamut of compositional practice in the late sixteenth century and in the first half of the seventeenth century.
Music from Notari’s Manuscript Scorebook (GB-Lbl Add. MS 31440), Nos. 1–60
1. Lasciatemi qui solo, after Francesca Caccini (C, B.c.)
2. La gran balena (C, B.c.)
3. Faretrato arcier (C, B.c.)
4. Non vo più seguire (C, B.c.)
5. Se mille tormenti (C, B.c.) c
6. Non andarà così (C, B.c.)
7. Che soffri o mio core (C, B.c.)
8. Tempo già fu, ch’io vissi amante (C, B.c.)
9. O schiere d’amanti (C, B.c.)
10. Voi vedete il mio mal (C, B.c.)
11. Ecco, ch’io verso il sangue (C, B.c.)
12. Aure placid’e volanti (C, B.c.)
13. Ascoltate i miei crucci (Sonetto; C, B.c.)
14. Più non sento del tuo dardo (C, B.c.)
15. Doppò un lungo servire (Villanella recitativa; C, B.c.)
16. Non vi dolete amanti (C, B.c.)
17. Mi convien di partir (incomplete; C, B.c.)
18. Non sei più bella no—O quam tu pulchra es (incomplete; C, B.c.)
19. Gioite del mio pianto (incomplete; C, B.c.)
20. Sperar da lui mercè (incomplete; C, B.c.)
21. Perché mio tesoro (C, B.c.)
22. In bel seno di neve (C, B.c.)
23. Quaesivi quem diligit anima mea (C, B.c.)
24. Ardo misero, e sento (C, B.c.)
25. Chiudete l’orecchi, after Stefano Landi (C, B.c.)
26. Io vo penar (C, B.c.)
27. Fiumi, e fonti, boschi, e monti (C, B.c.)
28. Seguir più non voglio (C, B.c.)
29. Non voglio amare (C, B.c.)
30. Udite amanti (C, B.c.)
31. Alle gioie o pastori (C, lute and/or B.c.)
32. Modi [Ruggiero] (violin, B.c.)
33. Modi [Romanesca] (violin, B.c.)
34. Modi [Monica] (violin, B.c.)
35. Fuggite, fuggite gli inganni d’Amore (C, B.c.)
36. Senti Tirsi crudel (C, B.c.)
37. Cruda signora, after ?Giovanni Rovetta (C, guitar and/or B.c.)
38. Questa crudel (Sonetto; C, B.c.)
39. Bella Filli crudele (C, guitar and/or B.c.)
40. Fillide mia se di beltà sei vaga (C, B.c.)
41. Occhi soli d’amore, after Giulio Caccini (C, B.c.)
42. Crud’Amarilli, after Claudio Monteverdi, Luca Marenzio, and Sigismondo D’India (C, B.c.)
43. Canzone passaggiata (violin, B.c.)
44. Intenerite voi, lagrime mie (C, B.c.)
45. Soccorso oimè ben mio (C, B.c.)
46. Sciogli ardito (C, B.c.)
47. O dolce anima mia (C, B.c.)
48. Fill’il bel volto tuo, after Bartolomeo Barbarino (C, B.c.)
49. Bel rusignuol che sì soavi fai (Sonetto; C, B.c.)
50. O del silençio figlio (Sonetto; C, B.c.)
51. Parlo miser’o taccio?, after Giulio Caccini (C, B.c.)
52. O che felice giorno, after Francesco Rasi (C, B.c.)
53. Voglio, voglio morir (Il lamento di Olimpia; C, B.c.)
54. Non più strali pungenti (C, B.c.)
55. D’Amor altri si lagni (C, 2 violins, B.c.)
56. Ecco Silvio, after Monteverdi (arrangement of five-voice madrigal; CC, B.c.)
57. Gagliarda con due violini (2 violins, B.c.)
58. Ch’io t’ami, after Monteverdi (arrangement of five-voice madrigal; CC, B.c.)
59. Ferma Caronte, after Barbarino (CB, B.c.)
60. Che fai Alma? (Dialogo Core et Alma; CB, B.c.)
Appendix
1. Aure placid’e volanti (guitar alfabeto)
2. Chiudete l’orecchi, Stefano Landi (C, guitar and/or B.c.)
3. Cruda signora, ?Giovanni Rovetta (C, lute and/or B.c.)
4. Ferma Caronte, Bartolomeo Barbarino (Dialogo; CB, B.c.)
5. Filli il bel volto tuo, Barbarino (C, B.c.)
6. Fuggite, fuggite gli inganni d’Amore (C, B.c.)
Version A (from Playford 1669)Version B (from GB-Lbl Add. 29396)
7. Intenerite voi, lagrime mie, [Notari] (C, B.c.)
8. Occhi soli d’Amore, Giulio Caccini (C, B.c.)
Version A (from I-MOe Mus. G.239)Version B (from Marsolo 1614)
9. O che felice giorno, Francesco Rasi (Canzonetta; C, B.c.)
10. Parlo miser’o taccio?, Caccini (C, B.c.)
Version A (from B-Bc 704)Version B (from GB-Ob Tenbury 1018)Version C (reconstructed from I-MOe Mus. F.1527)Version D (from Marsolo 1614)