Sight-Reading Pieces for B-flat Instruments and Piano

Series: A-R Special Publications  Publisher: A-R Editions
This edition is part of the collection Music from the Paris Conservatoire
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Sight-Reading Pieces for B-flat Instruments and Piano

Edited by James R. Briscoe

S030 Sight-Reading Pieces for B-flat Instruments and Piano
978-0-89579-739-1 Score + Part(s) (2012) 8.5x11, Score: iv + 47 pp.; Part: 16 pp.
In stock
The Paris Conservatoire solos, both the sight-reading works and the longer contest pieces, are the first extended series of compositions for woodwinds, brass, and harp in music history. While composers such as Mozart, Weber, and Robert Schumann contributed a few significant works for these instruments, the Conservatoire solos were composed annually for each instrument beginning in the 1830s. The wealth of musical treasures resulting from this systematic accumulation of works represents the core of these instrumental repertories today.
Sight-Reading Pieces for Trumpet and Piano
1. Allegro non troppo, Anonymous (1889)
2. Adagio non troppo, Émile Pessard (1898)
3. Mouvement de marche modéré, Georges Hüe (1900)
4. Modéré sans lenteur, Charles Silver (1901)
5. Allegro moderato, Georges Marty (1905)
6. Andantino, Paul Vidal (1909)
7. Lent, Guillaume Balay (1913)
8. Maestoso, Camille Erlanger (1915)
9. Allegro ben moderato, Charles Tournemire (1916)
10. Scherzando, Anonymous (1921)
11. Assez lent, Anonymous (1924)
12. Andantino, Anonymous (undated)
13. Modéré, Anonymous (undated)
Sight-Reading Pieces for B-flat Saxophone and Piano
14. Andantino, Anonymous (1882)
15. Moderato, Anonymous (1890)
16. Allegretto, Anonymous (1898)
17. Allegro scherzando, André Messager (1899)
18. Très lent, Gabriel Pierné (1918)
19. Lent, Balay (1922)
20. Andantino, Anonymous (1922)
21. Andantino, Anonymous (undated)
22. Martiale, Anonymous (undated)