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Sight-Reading Pieces for Bassoon and Piano

Sight-Reading Pieces for Bassoon and Piano
Edited by James R. Briscoe
S028
Sight-Reading Pieces for Bassoon and Piano
Score + Part(s) (2012)
978-0-89579-737-7
8.5x11, Score: iv + 24 pp.; Part: 8 pp.

Availability: In stock

$28.00
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The Paris Conservatoire solos, both the sight-reading works and the longer contest pieces, are the first extended series of compositions for woodwinds, brass, and harp in music history. While composers such as Mozart, Weber, and Robert Schumann contributed a few significant works for these instruments, the Conservatoire solos were composed annually for each instrument beginning in the 1830s. The wealth of musical treasures resulting from this systematic accumulation of works represents the core of these instrumental repertories today.
1. Moderato, Jules Duprato (undated)
2. Allegro moderato, Paul Puget (1899)
3. Larghetto, [Zandry?] (1904)
4. Allegro, Georges Caussade (1907)
5. Andante religioso, Louis-Albert Bourgault-Ducoudray (1920)
6. Allegretto con spirito, Anonymous (1917)
7. Tempo di marcia allegretto con spirito, André Gédalge (1920)
8. Allegretto scherzando, Gédalge (1924)
9. Allegretto moderato, Paul Vidal (undated)
10. Andantino quasi allegretto, Max d’Ollone (undated)
11. Andante moderato, Anonymous (undated)
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